My practice stems from a sensuous and relational approach to the world. I work in the intersection of textile, performance, and installation, where materials and bodies become carriers of stories, experiences, and memories. Through hand-sewn works, communal singing, costumes, and spatial arrangements, I create situations where the audience is invited into a form of gentle confrontation – with time, with care, with women’s histories, and with themselves.

The textile is not merely a material – it is a method, a language, a transmission. I primarily work with recycled textiles because they have already lived, been close to someone, been washed, worn, used. Their inherent intimacy and traces of life intrigue me. When I process them, stitch into them, wear them, or perform with them, a new story emerges – a fabulating and bodily dialogue between myself and the material’s previous life.

My artistic work circles around female kinships, care work, folk art, and the invisible labor that is often overlooked in official art history. I see the costume as both sculpture and actor, and performance as a possibility for presence – not necessarily as a stage, but as relation. In a time marked by speed, individualization, and digital distance, I wish to insist on the communal, the slow, and the handmade. That which can be felt with the hands. That which remains because it is made with time and attention.

My art does not necessarily provide answers – but it creates spaces where one can linger and listen. And perhaps recognize something one thought had been forgotten.