Mor(MOR)

With the exhibition “Mor(MOR)”, ceramicist Charlotte Nielsen and visual artist Hannah Amalie Nielsen invite the audience into a poetic and experimental universe. Here, you can explore ceramic sculptures and installation-based works inspired by the aesthetics of fungi and nature’s cyclical transformations. Recycled materials, light, conversations, and podcasts create a sensory narrative about grief, transformation, and intergenerational knowledge and experience.

In “Mor(MOR)”, craft and visual art meet in an interdisciplinary collaboration between mother and daughter. The exhibition consists of ceramic sculptures and scenographic installations that, drawing on the formal world of fungi and the subterranean network of mycelium, explore how knowledge, craft, and relationships are passed on and transformed over time and through collaboration. Fungi serve here as both material and metaphor: nature’s decomposers and life-givers become an image of familial and artistic bonds across generations – both visible and invisible. The project originates in a personal loss: saying farewell to their grandmother in 2023. Her choice of a forest burial marked the beginning of an artistic journey in which the fungi of the forest floor became a mirror of transformation, impermanence, and interconnectedness. The title “Mor(MOR)” contains this duality—the direct mother relationship and the generational link to grandmother.